Sometimes, the mixes are a bit muddy, almost drowning out the humble power of Smith’s voice. Some tracks, like the chorus-drenched 'naïve', start a bit generic, making them less-than-stellar companions to the record’s wholehearted authenticity, though not disturbingly so. In some ways, every track can be categorized as either unswerving punk inspired by the likes of Blink-182 – whose drummer Travis Barker appears on three of the album’s 11 tracks – and Buzzcocks ('Lipstick', 'G R O W') or washy R&B laced with brisk rap ('don’t SAVE ME', 'XTRA'). Sure, it’s a simple expression that isn’t necessarily originally phrased here, but its musical membrane is appealing and intimate. You may be a victim of gaslighting and not even know it We've all heard the term, now Red Table Talk brings you the essential guide to gaslighting. Lyrically, it addresses emotional volatility, with Smith passionately proclaiming that, to some extent, all relationships are temporary (“I know, you know, we know, this can’t last forever”). While the third track stomps on the rather bleak topic of being emotionally manipulated, Smith’s enunciation and vocal prowess make everything sound incredibly powerful, making for a juxtapositionally upbeat arrangement.Ĭonversely, the ephemeral '4ever' feels composed and laid-back, almost as if serving as a breather from the other, more rigorous tracks. Energetic and concise, the smashing 'Gaslight' follows in the opener’s footsteps, creating dextrous melodic contours alongside punchy, simple lyrics. album: lately I feel EVERYTHING (2021) t r a n s p a r e n t s o u l. From the very first pounding note of the lead single, 't r a n s p a r e n t s o u l', Smith establishes herself as a force of honest, snappy punk. Search: Johnny And June Lyrics By Jelly Roll.
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